In honor of St. Patrick’s Day, State of the Arts NYC wanted to recognize Irish authors who have made a difference in our lives. We have Bram Stoker, James Joyce, Jonathan Swift, Oscar Wilde, Samuel Beckett, Liam O’ Flaherty, Frank McCourt, William Butler Yeats, Maria Edgeworth, Edna O’Brien, Elizabeth Bowen, Patricia Lynch, Marina Carr
Spotlight Author — Bram Stoker
Bram Stoker was born Abraham Stoker on November 8, 1847, in Dublin, Ireland, to father Abraham Stoker and mother Charlotte Matilda Blake Thornley Stoker. One of seven children, he suffered from illnesses that left him bedridden until around age 7, but made a full recovery.
In 1864, Stoker enrolled at the University of Dublin—founded by Queen Elizabeth I in 1592—and attended the university’s sole constituency, Trinity College. He studied mathematics at Trinity, graduating with honors in 1870.
Stoker then began working as a civil servant at Dublin Castle, home to British royals in Ireland from the early 1800s to the early 1920s. (Stoker’s father had also served as a civil servant at the castle, and helped his son land a position there.) During this period, Stoker began juggling another role: In the evenings, he worked as an unpaid writer for a local newspaper, the Dublin Evening Mail (later the Evening Mail), penning reviews of various theatrical productions. Stoker also found time for his short stories, publishing “The Crystal Cup” in 1872.
After nearly 10 years in civil service, Stoker left his position at Dublin Castle. Around that same time, Stoker established a friendship and working relationship that would soon prove to be a pivotal step for his career, inspiring his literary prowess and, ultimately, his most acclaimed work. Stoker was introduced to famed English actor Sir Henry Irving after reviewing a production of the Shakespearean playHamlet, featuring Irving, and the two quickly became friends.
In the late 1870s, Irving offered Stoker a management position at his production company/venue in England, the famous Lyceum Theatre in London’s West End. His duties as manager included writing letters—sometimes up to 50 per day—for Irving, as well as traveling worldwide on Irving’s tours. During this time Stoker married an aspiring actress named Florence Balcombe, who gave birth to their son, Irving Noel Thornley, in late 1879.
‘Dracula’ and Other Books
In 1875, Stoker published what became his first novel, The Primrose Path. He continued to publish writings while managing the successful Lyceum Theatre, including the short story collection Under the Sunset (1882) and his second novel,The Snake’s Pass (1890), earning modest acclaim. More notably, he garnered public praise for his many roles dedicated to the arts.
In 1897, Stoker published his masterpiece, Dracula. While the book garnered critical success after its release, it didn’t achieve peak popularity until well after its author’s death. After Dracula, Stoker continued to churn out an array of fiction and nonfiction works. He wrote a total of 12 novels in his lifetime, his later efforts including Miss Betty (1898), The Mystery of the Sea (1902), The Jewel of Seven Stars(1904) and The Lair of the White Worm (1911), which was later published under the title The Garden of Evil.
Final Years, Death and ‘Un-Dead’
Stoker served as Lyceum’s manager for nearly 30 years, until Irving’s death in 1905. He suffered a stroke shortly afterward, and spent much of his final years battling through poor health and shaky financial footing. Stoker died in London, England, on April 20, 1912, with various reports citing the cause as complications from a stroke, exhaustion or syphilis.
Stoker’s legacy has endured through his most famous work, Dracula, which has inspired the creation of numerous theatrical, literary and film adaptations. Among them are the 1931 film Dracula, starring actor Bela Lugosi, and F.W. Murnau’s 1922 feature Nosferatu, starring Max Schreck, two early screen successes that propelled the vampire myth to the forefront of popular culture.
In 2009, the author’s great-grand nephew, Dacre Stoker, made his entry into the field with the publication of Dracula: The Un-Dead, with collaborator Ian Holt. The two said they had based their book on Bram Stoker’s handwritten notes and excised plot threads, even including the character of Bram Stoker in their story as a nod to the original source.