DERRICK ADAMS PAYS TRIBUTE TO THE GREEN BOOK IN THE SANCTUARY EXHIBITION

Derrick Adams is a New York–based, multidisciplinary artist working in performance, video, sound, textile- and paper-based collage, and multimedia sculpture. His practice is rooted in deconstructivist philosophies such as the fragmentation and manipulation of structure and surface, and the marriage of complex and improbable forms. Through these techniques, Adams examines the force of popular culture and the media on the perception and construction of self-image.

Derrick Adams: Sanctuary consists of 50 works of mixed-media collage, assemblage on wood panels, and sculpture presented in an installation designed by the artist that reimagine safe destinations for the black American traveler during the mid-twentieth century. The body of work was inspired by The Negro Motorist Green Book, an annual guidebook for black American road-trippers published by New York postal worker Victor Hugo Green from 1936 to 1967, during the Jim Crow era in America.

Referred to simply as The Green Book in its day, the publication served as a guide to finding businesses that were welcoming to black Americans, including hotels and restaurants, during an era when open and often legally prescribed discrimination against nonwhites was widespread. These designated safe spaces were places of refuge and leisure, where one could spend quality time with friends and family. The depiction of black America at leisure is a theme of continued interest to Adams, who explores how engaging in leisure as a form of relaxation and reflection can be a political act when embraced by members of black or working-class communities.

Derrick Adams: Sanctuary reflects on the plight of working-class black people before and during the Civil Rights Movement, and their determination to pursue the same American Dream afforded to others. Today, The Green Book serves as a poignant artifact and reminder of the importance of equality during a time in which uneven law enforcement continues to negatively shape the lives and experiences of many black Americans.

Derrick Adams: Sanctuary is guest curated by Dexter Wimberly, Executive Director of Aljira, a Center for Contemporary Art (Newark), with support from the Museum of Arts and Design’s Assistant Curator Samantha De Tillio.

Major support for Derrick Adams: Sanctuary is provided by Exhibition Chairs Michael and Patti Dweck. Additional support is generously provided by Mike De Paola, Barbara T.Hoffman, Esq., Shari Siadat Loeffler and Nicholas Loeffler, The Paulsen Family Foundation, Ron and Ann Pizzuti, Barbara and Donald Tober, and George Wein.

Derrick Adams is proudly represented in New York by Tilton Gallery

 

Contemporary art curator and entrepreneur, Dexter Wimberly was born and raised in Brooklyn, New York City. Curatorially, Wimberly focuses on contemporary urban history. “I love art that reflects our times, and I am excited to be in the position to work with artists who are shaping contemporary culture and bringing the beauty of under-exposed aspects of modern life to a greater public. I feel that this is my calling within the arts.” A passionate collector and supporter of the arts, Wimberly has personally exhibited the work of more than 100 individual artists.

Dexter Wimberly also maintains a critical dialogue with emerging artists throughout the world by way of group exhibitions, public programs and lectures at institutions such as The Brooklyn Academy of Music, The Brooklyn Historical Society, the Museum of Contemporary African Diasporan Arts (MoCADA), The Savannah College of Art and Design, The Lower Manhattan Cultural Council, and The Brooklyn Arts Council.

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